MEPX
Chapter 3 of 10All chapters

Chapter 3 of 10

Voice and point of view

Who is telling it.

Perspectives

First person gives intimacy and limits, third person limited follows one consciousness, and omniscient narration can move anywhere. Second person is rare and unsettling by design.

  • Free indirect style blends narrator and character voice.
  • Unreliable narration puts the reader in the position of judge.

Tone and distance

How close the narration sits to a character, and how much it judges them, controls sympathy more than the events themselves do.